Download Critical Race Theory and Copyright in American Dance: by Caroline Joan S. Picart PDF

By Caroline Joan S. Picart

the trouble to win federal defense for dance within the usa used to be a racialized and gendered contest. Picart lines the evolution of choreographic works from being federally non-copyrightable to changing into a class very likely copyrightable below the 1976 Copyright Act, particularly analyzing Loíe Fuller, George Balanchine, and Martha Graham.

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