By Stewart Goetz
whereas a lot has been written on Lewis and his paintings, nearly not anything has been written from a philosophical standpoint on his perspectives of happiness, excitement, soreness, and the soul and physique. for this reason, not anyone to date has well-known that his perspectives on those concerns are deeply attention-grabbing and arguable, and-perhaps extra jarring-no one has but safely defined why Lewis by no means grew to become a Roman Catholic. Stewart Goetz's cautious research of Lewis's philosophical inspiration unearths oft-overlooked implications and demonstrates that it was once, at its root, at odds with that of Thomas Aquinas and, thereby, the Roman Catholic Church.
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